![]() Visual Effects: Crash on VFXBatch::AddInstance when switching to Custom Batch Capacity in Asset Inspector ![]() Visual Effects: Editor crashes on VFXRenderer::AddAsRenderNode when assigning a Renderer’s materials toits to materials/sharedMaterials PhysX Integration: Wheel Colliders aren't detecting collision Kernel: Crash on core::Join & _ptr64,char const (& _ptr64),core::basic_string_ref > when the Editor runs out of memory saving an invalid override Input: The "Listen" button and input field for action Binding Path is mostly not visible ![]() Prefab Asset FileIDs are changed after building player and using Save ProjectĪsset Importers: Crash on "'anonymous namespace'::ConvertFBXShapes" when importing an FBX file ![]()
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His subsequent appearances were sporadic. He continued as a semi-regular feature in the book, making occasional cover appearances, through #201 (June 1967). Baker gained a costume and a name, initially A-Man, in Strange Adventures #190 (July 1966). ![]() Cover art by Carmine Infantino and Murphy Anderson.įilm stunt man Buddy Baker, to whom aliens gave animal-themed powers, debuted in Strange Adventures #180 ( cover-dated September 1965), in the story "I Was the Man with Animal Powers" by writer Dave Wood and penciler Carmine Infantino. First appearance of costumed Animal Man, originally A-Man. As seen in Strange Adventures #195, he was billed as a "full-time hero", an aspect that would be the most changed by the revamp. He later became one of several DC properties, such as Shade, the Changing Man and Sandman, to be revived and revamped in the late 1980s for a more mature comics audience. These eleven stories constitute the entirety of his pre-Crisis appearances. He made only five, non-consecutive appearances in Strange Adventures (four of which were reprinted in Adventure Comics), followed by two appearances in Wonder Woman, two in Action Comics, and two in DC Comics Presents, appearing in consecutive issues of each. Animal Man was a minor character for his first twenty years, never gaining the popularity of other DC heroes such as Batman or Superman. Ĭreated by writer Dave Wood and artist Carmine Infantino, Buddy Baker first appeared in Strange Adventures #180 (September 1965) and adopted the name Animal Man in issue #190. Using these powers, Baker fights crime as the costumed superhero Animal Man. ![]() As a result of being in proximity to an exploding extraterrestrial spaceship, Buddy Baker acquires the ability to temporarily "borrow" the abilities of animals (such as a bird's flight or the proportionate strength of an ant). Strange Adventures #180 (September 14, 1965)Ībility to gain the powers of any animal that exists or has existed via access to "The Red"Īnimal Man ( Bernhard " Buddy" Baker) is a superhero appearing in American comic books published by DC Comics. Bernhard "Buddy" Baker as the Animal Man. ![]() ![]() ![]() ![]() Give up alt-drag for all platforms because one window manager in one distribution used it by default. Those shortcuts and gestures may cause conflicts between Surge and the desktop environment. Note: Some actions in Surge XT are done by doing Alt Drag or scroll wheel. The packages required are listed in the source and in the deb file.The distribution package is built on Ubuntu 18.04.The installation package on Surge XT’s website is in the form of a Debian package.However, the following information might be good to know: The system requirements can be hard to determine, as there are a lot of distributions out there and other factors. 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![]() ![]() It includes a similar TPDF dither algorithm to some of the more heavyweight offerings, but without additional bells and whistles. This is a Power PC-only VST plug-in that will run in Audioease's VST Wrapper on Mac G4s and G5s. If you're after a freebie, you could give MDA's Dither a try. Again, we'll look at this in a moment, but until MOTU clear this up, or actually re-configure DP to behave as the manual suggests, it's best to ignore it and stick with this column instead! The otherwise commendable DP5 manual (and other DP manuals before it) is a little short on dither detail, and contains a mistake which can lead to much confusion. ![]() Dither & DPĪs a digital audio workstation capable of recording and playing audio at 24- and 16-bit resolution (and with 32-bit processing resolution) DP needs to be able to dither: and it can, in several different ways, all of which we'll look at in a moment. For this reason (amongst others), it's always worthwhile recording at 24-bit resolution in DP, even if your final goal is distribution of your work on 16-bit CD. It does this by adding an element of randomness into the resulting digital signal which we perceive as very low-level noise, and which not only 'masks' the distortions caused by the drop in resolution but actually manages the seemingly impossible trick of extending dynamic range in the lower-resolution format beyond theoretical limits. What?ĭither is a process, then, that aims to preserve the sonic attributes of a high-resolution recording when it's converted to a lower resolution, like the 24-bit to 16-bit bounce just mentioned. You'll still end up with a playable, recognisable 16-bit file, but one which doesn't sound as good as it could or should, and quite possibly has acquired some grainy distortion, particularly on low-level signals. If the bounce is done without dither, the last eight digits of every 24-bit sample is simply discarded, along with all the precious and subtle audio information they contained. The need for dither arises when you reduce the resolution of a digital recording, the most common situation being when you're working on a 24-bit DP project and need to make a 16-bit bounce of it, ready for burning to CD. That said, it's important to know about it and how Digital Performer (or Audiodesk, for that matter) applies it. It's inextricably tied up with the maths that lie behind digital systems, so that puts plenty of people off from the start! It also has the whiff of high-end hi-fi hogwash about it - like those £500 kettle leads. So here it is: the SOS Digital Performer dither primer.ĭither is one of the trickiest concepts that we digital audio users ever have to get our heads round. If you're serious about digital audio you need to know about dither - both what it is and when to use it. Here an iZotope Ozone 3 plug-in running on a Master Fader Track is shown applying MBIT dither to a classical multitrack mix. Needless to say, it's not possible to disable this from inside Preview.Dither is a de rigeur process when making a 16-bit copy of a sequence recorded at 24-bit. In addition, it might be the reason for some huge (say, 40k x 20k) panos initially loading (with screen resolution) but, then, increasingly getting blocked in some seconds by non-transparent blocks like in the following screenshots (displaying a 40k x 20k pano):Īfter 13 seconds - and, after this, the entire surface gets increasingly more hidden I really don't need this feature - it's pretty distracting when all I want is to quickly check out my shots. ![]() The case is the same in Yosemite (OS X 10.10 as of the current (second) public beta). This, in general, results in the images' being divided into 4 quarters and updating (in most cases, slightly enhancing the contrast) these image quarters,one after the other, after the initial loading. After upgrading to Mavericks (OS X 10.9(.4)), I've noticed the stock Preview app has some kind of automatic image enhancement going on when simply presenting images. ![]() ![]() ![]() The Adobe Education Exchange provides tutorials, lesson plans, and over 10,000 teaching resources. 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The Adobe Spark is available free of charge for all schools in New Zealand.Īdobe provides discounted Creative Cloud licenses for assignment to staff and students via ‘Named User Licenses’ or to labs via ‘Shared Device Licenses’ to all New Zealand schools. ![]() The licence agreement includes access to many mobile apps and services including: *RRP pricing in Australian dollars correct at time of writing, September 2019. 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Adobe SparkĪdobe Spark allows the creation of beautiful graphics, web pages, and video stories in minutes. The apps can be used by teachers in a range of year levels and subject areas including computer technology, maths, geography and science. Help with installation from our ICT Help DeskĪdobe Spark and Creative Cloud apps allow students to create images, graphics, illustrations, layouts, web pages, and video stories for class projects of all types.Schools covered by the licence agreement.Features of the Adobe Spark or Creative Cloud licence.Adobe Spark is a free software available to New Zealand schools, and the Creative Cloud software has different price points to support school needs. With Adobe Spark or Creative Cloud, students can learn how to communicate digitally using images, videos, websites and animation, in addition to developing applications.Īdobe software is a useful tool for schools to support positive student outcomes. Ministry Bulletin for School Leaders | He Pitopito Kōrero.School DNS – domain name registration service.Digital Identity for Online Learning (DI4OL).Video conferencing options and guidance.Running updates: keep your systems updated.Property, procurement and school transport. ![]() ![]() ![]() What’s your summer sport of choice? Do you enjoy surfing? Or maybe you enjoy a good SUP workout. ![]() Swimwear Suitable for All Beach & Watersports So, next time you’re settling for falling in line with the latest swimwear trends, cut the line with ROXY and start setting the summer trends yourself. Summertime is all about being free and enjoying all of the hours of daylight, and we want to provide you with epic styles that will keep you motivated to life life to the fullest each and every day of summer. 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Another option is to share a common database on the internet. Consider that they should run the upgrade prior that import the database. You can take database snapshot/backup/dump and send it to all the team. You have a straightforward solution here. Second, you want your data be shared among the people. In this part, your actual data is not shared or sent to your colleagues. Everybody, including yourself, just upgrade the database based on the available migration. Once you have changes on your entities (data classes) in your code base, you crate the related migration and commit/push the code. If so, the problem is divided into two parts:įirst, you need to keep data structure up-to-date among your team. ![]() However, I guess this is not far from Entity Framework migration feature. I am not very familiar with Flask and its migration mechanism. Not sure if this is the right place to ask but I hope I am able to find some answers here.Įdit: So far I am updating data in the database by dropping the database and recreating it with the dump, but I have yet to try it with any schema changes (project is progressing, a little slowly.)Įdit 2: Forgot to mention that all instances of PostgreSQL are hosted locally on our own machines I am not sure if simply importing the data dump with updated schema will mess up the migration commits in Flask Migrate. If I migrate and upgrade my flask database followed by exporting a dump with psql, when my peers receive the updates, do they simply import the data dump? Or do they have to perform a flask db upgrade as well? If so, which one comes first? flask db upgrade followed by dump import, or dump import followed by a flask db upgrade? All is well but if I have updated rows in the database, how do I propagate the schema changes and data changes to my peers? And others that receives my update executes a flask db upgrade to receive the schema changes. I am working in a small team and have some questions regarding database updates.Īs far as I am aware, If I update the database schema in Flask, I will have to perform a flask db migrate and flask db upgrade to apply the changes. Pg_dump -h localhost -U $DBUSER $DBNAME | gzip > $BACKUP_PATH/$DBNAME-$(date +%Y-%m-%d).db.gz 2> $BACKUP_PATH/error.I am currently setting up a project that is based on Python Flask (with Flask Migrate) with a PostgreSQL DB. You can do so using the following commands sudo su postgres or with this sudo su - postgres You can choose to change the password for the postgres user via this command if you want sudo passwd postgres Creating a New User Let us create a new user and assign it some new roles. pgpassįind $BACKUP_PATH -type f -name "*.db.gz" | xargs rm Load the data into database: psql -h localhost -U $DBUSER $DBNAME. You can prepare the sql statements according to the template: alter sequence seq_name restart with max_id+1. You will also need to set value for the sequences, or replace ids in sql file. Grep -vx -f schema.sql dump.sql > data.sqlĮdit dump file, and replace: PRAGMA foreign_keys=OFF > '' The :z suffix solves the permission denied problem for the volume.Ĭreate user and database: psql -h localhost -U postgrespsql -h localhost -U postgresĬhange the database URL in the Flask project to: sudo dnf install postgresql-devel For the puposes of this article that connection is local, and can be described as follows: engine://user:passwordhost/dbname engine -> postgresql user -> postgres (see owner field in previous screenshot) password -> password (my db password is the string, password) host -> localhost (because we are. $ sudo podman run -name postgres12 -pod $PODNAME -e POSTGRES_PASSWORD=$PASSWORD -d -v /home/$USER/podman/volumes/postgres12:/var/lib/postgresql/data:z postgres:12 The SQLALCHEMYDATABASEURI is a string describing our database connection. $ mkdir -p /home/$USER/podman/volumes/postgres12 # Create a Pod to link more containers in the future To make the container a system wide service run the commands as root ( sudo): $ dnf install podman If you use docker then just replace all the podman commands with docker. Install podman (Fedora's docker) and prepare the volume to store the database data persistently. Migrating form SqlLite to Postgresql in Flask Run PostgreSql in container ![]() ![]() ![]() For a lot of people, it was the first (and sometimes only) “good” knife they ever bought. ![]() It’s such an all-pervasive part of knife culture that even people who don’t know knives probably know what a Benchmade Griptilian is. The 940 is one of those just-right EDC knives that does something for everyone: top shelf materials, light, great in the pocket, a strong lock, and choices for every preference.ĭoes the Benchmade Griptilian really require an introduction on a website about knives? Probably not. If you’re not into the reverse tanto blade shape there’s also the 943, which has a hollow ground clip point blade and black anodized aluminum handles. The newest addition is the 940-2 which is $20 cheaper than the original 940 and features contoured G10 handles and an S30V blade. The 940-1 is an upgraded model that’s the priciest of the bunch at about $260 retail, with contoured carbon fiber scales, anodized blue standoffs, and a satin finished CPM-S90V blade. The original 940 comes with anodized green aluminum handles and a bright purple geared backspacer, with CPM-S30V blade steel and your choice of satin or black finish, and a plain edge or partially serrated blade. Two, the unique blade shape: the reverse tanto tip is unorthodox but effective, offering a tip that’s at an acute enough angle to pierce well but with enough metal behind the edge to not break easily.Īll 940’s use the Axis Lock and feature an ambidextrous tip-up oriented pocket clip. ![]() The appeal of the 940 is twofold: one, it’s thin and it’s light – the standard aluminum handled 940 weighs 2.90 ounces, while the carbon fiber 940-1 is only 2.4 oz and the G-10 handled 940-2 is 2.65 oz. It’s offered in a variety of different materials as well as the spinoff 943 variant, to suit a number of tastes. The Warren Osborne-designed 940 series is one of the most popular Benchmade lines and is widely considered by knife enthusiasts to be one of the best everyday-carry knives ever made. ![]() ![]() ![]() All in all Ableton Live Suite 10 is an impressive application which can eb used for editing your audio content. You can also download Waves 10 Complete Plugins Bundle.Ībleton Live Suite 10 also lets you to automate the devices as well as mixer controls and also allows you to select from various audio and MIDI effects and access the tool via an external MIDI controller. Ableton Live Suite 10 has also got the wraping option for modifying the speed of the sample playback independently form the pitch, access and edit MIDI contents, set the tempo and select various different built-in audio effects and instruments that can be easily added into the working environment by using the drag and drop support. You can create new clips through recording, effects processing and mixing options. Ableton Live Suite 10 allows you to record as well as modify the clips and manage the flow of the signals. It provides you with the help manual as well as various tutorials in order to get things started. Ableton Live Suite 10.1.3 Free Download Windows and macOS OverviewĪbleton Live Suite 10 has got multitude of dedicated parameters and the layout may look a bit overwhelming at 1st sight. 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